Showing posts with label James Was Here. Show all posts
Showing posts with label James Was Here. Show all posts

Thursday, June 19

Are You Willing to Fail?

It’s a question I ask myself all the time. Am I willing to go backwards to go forward? Many times giving up a few comforts have propelled me ahead, but not all the time. For some reason, everything that is worth having usually requires you to lay all your chips down.

We have been building Metro-Burbs, our concept for a children’s show, brick by brick. It has been a very exhilarating, yet intricate process. There isn’t financing or backing of any sort to help prop us up, so we are learning by rolling up our sleeves and often times seeking out great talent to get involved purely because they like the concepts. Luckily, it has worked.

Since it isn't our day job, it can get a little difficult to find the time to focus on it. For me, this has been a great aspect of it, albeit at times a less productive one. I never felt that I should work on Metro-Burbs because I had to. So I would leave it alone for months at a time. We are at the point where we are confident that we can roll this thing off the assembly line with great success. We have everything we need to make it happen, and I'm very proud of all our efforts. It also helped my optimism recently to have gone to a few meetings, where the project held up very nicely to outside evaluation (aka not my family).

I do have to say that we have been lucky enough to get a few enormously talented folks involved with our idea; they have done an amazing job in helping to bring Metro-Burbs to life.

We didn’t want to make this program just to get into this area of the business; it is too difficult for that. There is a legitimate hole that we are attempting to fill in children’s television. Many of today’s shows are either geared toward the aggressive young boy, or set up for the cheap laugh, at the expense of our kid’s development. Our kids are absorbing actions on the tube that we would never tolerate in real life. Why would we want them to see someone else doing it?

We have the ability to bring a show with a fresh vibe, lots of enthusiasm and with educational value. There is no question that kids are going to watch more than one hour of TV a day, so why not stimulate their noggin during that time? We can let them discover elements about themselves that can be utilized when they are not sitting in front of the television. I’m not saying that all TV for kids has a negative consequence, just enough for us to do something about it.

I’d like to acknowledge a few of those artists that joined in to elevate Metro-Burbs to another level. They are all very passionate, creative, funny and bright individuals. I see them as the ideal people to make up what I want Finn Factory to be in the future. Take a bow guys ---- Alan Camuto, Bianca Siercke, Sal Denaro and Ted Nunes.

It continues to be exciting for me to pitch the show, and to get great feedback. It's not a matter of IF it will happen, but when. So to answer my own question, I am ready to fail in the short term, knowing that it will make everything I do in the long run even better. All the efforts thus far have paid off in spades. I look forward to walking everyone through Metro-Burbs one day....soon.

Wednesday, June 18

An Exclusive Interview with the Late Dan DeCarlo - Part 1 (Conducted Fourteen Years Ago )



I’ll start at the beginning...

When I was in High School, I contributed to an Archie Comics Fanzine called Riverdale Ramblings. One of my goals was to meet some of my favorite artists, writers and creators. I went to the top of the mountain right off the bat...I decided to seek out a man that is considered to be the most respected talent to ever work for Archie Comics, Dan DeCarlo. I thought I could accomplish two things by doing so:

1. Create content for the fanzine

2. Hang out with Dan, The Man

I recently wrote about Dan, and it peeked my curiosity to re-read the Q&A I did on him in early 1994. I did some searching, and came across a copy of the issue in my parent’s very hot attic.

While reading it, a flood of memories came back to me. I had placed a cold call to the DeCarlo residence (yep, the number was listed) and his wife picked up the phone. Her name is Josie, a lovely woman. (Side note: Josie was the inspiration for Josie from Josie and the Pussycats). I waited patiently, yet nervously, for Dan to pick up. I could hear his wife yell up the stairs to him, and finally the sounds of him scrambling to pick up the receiver in his home art studio. He was probably hard at work getting the latest comic strip done. I’ll never forget his raspy voice or his distinct laugh. A laugh that would show up time and time again when he felt that the attention on him was a bit embarrassing. I think I awkwardly blurted out something about talking with him for a fan magazine. He seemed to understand my murmurs and immediately said yes. We had a date set for the following weekend.

I just happened to live in White Plains, NY at the time, and Dan resided in Scarsdale, the next town over. Wow, this is easy stuff. My subject lives fifteen minutes away, and he invited me over to his house. Now, the tough part -- I had never conducted an interview before, was very, very nervous and wasn’t a journalism major. Actually I didn’t have a major anything – I was in High School!

I went out and dropped a pretty decent amount of coin on a Dictaphone, and recall wondering why the device had such a weird name. When I was transcribing the interview, I had to go back and listen to his answers many, many times because of his low voice.

When I arrived at his house, Josie and Dan both welcomed me warmly. Dan was the definition of a gentleman. He served me lunch, we had tea and I felt like the luckiest kid around. After that afternoon, I feel like our conversations changed from a fan admiring an artist, to a guy talking to his friend.

I hope you enjoy Part 1 of my interview with Dan, and I look forward to hearing your comments!

Daniel DeCarlo was born on December 12, 1919 in New Rochelle, New York. He attended New Rochelle High School, and Art Students’ League in New York City.

Me: When did you start working at Archie Comics, and why there?

Dan DeCarlo: It was difficult to get a job after the war. I did all sorts of odd jobs to make ends meet. One day I answered an ad by Timely Comics (Later changed to Marvel) looking for cartoonists. I ended up drawing Millie the Model, My Friend Irma, and various other teenage titles while there. After about two years, the company let go most of the staff. They kept only the men that had books that were selling, and then only as freelancers. After I realized the type of business I was in, I decided to try to expand by seeking work from other companies too. It was at that point that I got some work with Archie. I was also working on a comic strip called Willie Lumpkin with Stan Lee. Often times, I would think that this was going to be it for me. I better do the work, because I might not get it tomorrow. I don’t feel that way now, but then I did. I was paranoid about the whole thing, and worked like crazy. I hired an inker. I really wanted to expand more, but couldn’t get any cooperation from the inkers.

Me: How does it make you feel to know that many fans continue to buy Archie Comics because of your art work?

DD: I am really flattered, and honestly a bit surprised. I get letters from readers that will really take me back. I can’t believe that they are that interested. It’s an awkward feeling. It never went to my head, if that’s what you mean (laughs). I don’t think that I’m that good, where people have to adore me. It’s really something.

Me: Do you notice any significant differences in the story lines from the time you started working on the comics compared to the ones that are on stands today?

DD: Yes. Earlier on, stories were sexier, and with a lot more slapstick humor, the school scenes especially. The teachers were all toothless, or had one tooth in the front. (laughs) Now the stories are more relevant.

Me: There is a distinct difference with the slang, clothing and look of the “Gang” in each decade. Which is your favorite time period, and why?

DD: I loved the 60s. The Revolution was happening. The kids were all looking for change. They weren’t sure what kind of change, but they were going against authority and their clothes went with it. I thought that it was the best years for clothing in the books. All the psychedelic stuff was a lot of fun. Now, it seems like the kids are going back in that direction with the fashion.

Thanks for checking out the first part of my Dan DeCarlo interview. Keep an eye out for Part two!! We will hear Dan's thoughts on: writing, adult characters in Riverdale and the time period when Sugar, Sugar hit the Billboard charts as a popular song by The Archies.

Related Posts:

Who Is Your Dan DeCarlo?


An Exclusive Interview with the Late Dan DeCarlo - Part 2

Monday, June 16

Subway from HELL

I take the New York Subway every day to work, sometimes it's fine...most times it SUCKS. This makes me feel better...


Sunday, June 15

How Sex and Violence Made Jim Henson a Star

Jim Henson grew up, like many teenagers in America, as an outcast. He suffered from bad acne, which later in life led him to grow a beard to conceal the scars. The “facial hair mask” also worked for two other famous nerds, Steven Spielberg and George Lucas. Like Mickey Mouse’s white gloves and red pants, the beard became part of Henson’s trademark look.

In 1969, Joan Ganz Cooney of Children’s Television Workshop (CTW) began working on a new television project that seemed tailor made for Jim’s talents. She wanted to explore the use of his talents with puppetry as a key element to the show. At first, this could look like an ideal situation. Not from Jim’s perspective. He wasn’t thrilled, to say the least.

Cooney’s project was to be called SESAME STREET, and it was meant to revolve around a strict curriculum in each episode. Jim spent years developing his career and talents, to show that puppetry wasn’t just for the young to enjoy. He felt that if he teamed up with CTW he would forever be associated with children’s programming. After much deliberation, he did decide to join her on the project. It later turned out, he was right to be concerned.

In the mid 1970’s, he felt it was time to pursue his dream of creating a variety show with puppets. Jim was met with a lot of resistance from network television. He had created some of the most beloved characters on the small screen through his work with Sesame Street, but it didn’t make it any easier for him to get backing for his new project. As soon as he pitched the show as a prime time program for adults and kids, the cynical look from the Executives across the table followed.

He decided to create a pilot (one of two) that aired as a television special. It was called “The Muppet Show: Sex and Violence.” If that didn’t get attention, what would? Well, even with the scandalous title it didn’t get enough notice. There was almost a deal completed with CBS TV but the restrictions on the contract weren’t going to work for Jim.

Jim’s saving grace was from a heavy set, cigar chomping gentleman named Lew Grade. Grade was the head of a British television station, and came to the table with money and studio space in England. Jim signed on, and The Muppet Show was born. The episodes were sold to various stations in the UK, around the world and via syndication in the US.

Obviously, it became a huge hit and I’m sure some suits at the networks wish they realized that Sex and Violence from Jim Henson sounded like a pretty good deal.

Related Posts:

Jim Henson Memorial Service (Video)

Tribute to Jim Henson (Video)

How Muppets Are Brought To Life...

RIPPLES - short film by Jim Henson (Video)

Jim Henson - Original Video Pitch for THE MUPPET SHOW

Friday, June 13

Who the Heck Are You?














I always post my ooohs and aaahhs for the Who Are You? posts but this time I want to hear what you think of this piece of work (David Fuhrer's site is accessible here). Post your thoughts in the comments and here are the first and second Who the Heck posts...

Purple, really? ok.

This is just a slap in the face --- a good slap.

Wednesday, June 11

Best Bed Sheets ever?

Flashback to 1970-something, having these bed sheets would automatically make you the Hugh Hefner of your High School. Flash forward to 2008...not so much.


the box

W h a t ' s
I n
I t
?





Who the Heck Are You?

Fruit + Technology = Banana Bot Boy

This is another edition of WHO THE HECK ARE YOU? I like to write about artists that I come across on the net who I feel are really going down interesting roads with their work.

This is just one inspiring example from a jam packed innovative portfolio by Daniel LuVisi.

Tuesday, June 10

Mary Poppins - Like You've Never Seen Her

it's all in the editing...

APPLE vs. PC

I have always been a PC guy, a couple of my brothers worked for IBM at various points in their careers, always had IBM pads, pens, hats, etc around the house. Never ever saw the Apple logo at Bursley Place when growing up. I've also never been tempted to own an apple computer, always had this visual in my head of one:

Does the screen still look like that?

Well, I guess the only time I got close to an Apple Computer, was when I visited apple.com to download music from my Itunes...for my Dell Computer. It wasn't until a few weeks ago that I decided to download Steve Jobs' 2008 MacWorld/Black turtleneck/blue jeans dealio. It was interesting, not because he was doing things in a different way but because i was fascinated-- if I tuned in at 2am to watch an infomercial with some guy giving the same speech, i would said Bull --- for some reason I believed this dude. Why? I have no clue. He showed off very cool toys, and this is the guy that saved Pixar from the clutches of Lucas. He is responsible for hiring folks to create that IPhone and now the new I Phone...you know, the one that my IT dept said I can't get because it is not necessary. DAMN.

Anyway, not in the market for a new computer yet but for the first time I might consider going to the "other side." Oh, and this is the first Apple Computer...gotta start somewhere...

Monday, June 9

What the Heck is Electronic Mail?

It's scary because it's new. Personally, I like the following explanation - -

"Need to notify people immediately of a fast-breaking development? Have your messages delivered to their terminal mailboxes electronically, across the hall or around the world."

At times my terminal mailbox can have just too much fast-breaking news, if you know what I mean. When I think technology advancement, I think Honeywell.

The best part is not only does this dude not have a computer on his desk, he has something really outdated called, what is it?? - a Rolodex, sounds creepy.

Sunday, June 8

Company Logo


Here's our logo, skillfully designed by Alan Camuto.

Finn Factory will focus on developing noteworthy and engaging programming for children. We are establishing new ways of looking at television for young viewers, as well as embracing elements that we feel have been missing in recently history. The Factory is as interactive as it comes. We welcome all your opinions and questions.

Friday, June 6

Mr. Fred Rogers

The best part of YouTube for me is when I can use it the same way I use Google searches — find little nuggets of what I see as historical video. Saw some great Bob Dylan interviews from the 60s the other day, really cool. Occasionally, someone will throw something up with Jim Henson and Frank Oz – always on board to check those out.

This video is from 1969. It features a young Fred Rogers appearing in front of the United States Senate Subcommittee on Communications, but mainly the chairman – John O. Pastore. The video seems too perfect to be real, while you can see that Mr. Rogers is a bit nervous, he has a will to push through and get his message across. Chairman Pastore comes off as a cranky stodgy old villain, and you almost expect him to exclaim “Bah Humbug” at some point. Mr. Rogers must not have been established on a National level yet, because Pastore didn’t know anything about him. Mr. Rogers was there to plead to the committee to not cut funding for educational programming on PBS. I’ll leave it at that, hope you find it as inspiring as I did.



Explore

There’s an infinite amount of things to love and hate about the internet. On top of the love list has to be "discovering" something or someone that is hilarious, moving or just simply stunning, if stunning could be simple. I bookmark tons of stuff on delicious, and comb through sites, blogs, portfolios and find an enormous amount of creative original projects. The net is an endless piece of paper to show off your work for compliments or advice. Which leads me to a young lady named Olena.

Her work is quite diverse and intensely executed with colors, shapes and a style that is so arresting. She doesn’t appear to want to shock or be submissive in her work. Here are two pieces that I think show off her talents. Enjoy….

Happy Friday!!!






Yummy - - Pooh! When I think of food, cooking, eating -- i think of POOh TOO.

Thursday, June 5

Internet Killed the Music Video Star...

Who watches music videos anymore? I know I don't...not unless someone shoots me a link from YouTube or a friend directed one. This is one that I came across that is just fantastic. It does what a music video is supposed to - complement the work of the song, without overshadowing it. The band is Nizlopi, the song is called “JCB” and the experience is wonderful.

Wednesday, June 4

dirty art

I came across a guy named Scott Wade recently. This dude could be putting art stores (and car wash places) out of business by writing his own rules, and getting a lot of mainstream attention for doing so. Doesn't he realize that he is supposed to draw on the paper!! (as I would say to my daughter). He doesn't need a little recognition from me, but I thought it was cool enough to share anyway. Scott uses dirt, yep DIRT, to create art. And not dirty art either, really amazing stuff.

Love What You Do, Whatever It is

Tuesday, June 3

Break the Mold

Pretty cool design for a business card...